| Introduction |
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1 | (4) |
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The Characteristics of Group Creativity |
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4 | (24) |
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Improvised Versus Structured Performance |
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13 | (1) |
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Studies of Group Performance |
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14 | (7) |
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Studies of Creativity in Groups |
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21 | (4) |
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Moving Forward: The Study of Group Creativity |
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25 | (3) |
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Jamming in Jazz and Improv Theater |
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28 | (46) |
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31 | (2) |
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33 | (4) |
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The Importance of Group Interaction |
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37 | (13) |
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Structure and Improvisation |
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50 | (18) |
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The Audience as Collaborator |
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68 | (4) |
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72 | (2) |
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Interaction and Emergence: An Interactional Semiotics |
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74 | (23) |
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Improvisation and Composition |
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79 | (3) |
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Indexicality and the Poetic Function |
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82 | (4) |
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A Model of Group Creativity |
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86 | (7) |
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Indexicality in Musical Ensembles |
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93 | (2) |
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95 | (2) |
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Group Creativity and the Arts |
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97 | (22) |
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98 | (3) |
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101 | (1) |
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Five Characteristics of Improvisation |
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102 | (13) |
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Toward an Aesthetics of Group Creativity |
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115 | (4) |
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Group Creativity as Mediated Action |
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119 | (19) |
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Sociocultural Psychology and Group Creativity |
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120 | (2) |
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Parallels With Diachronic Creative Interaction |
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122 | (3) |
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Parallel Dimensions of Synchronic and Diachronic Creative Interaction |
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125 | (8) |
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133 | (5) |
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Degrees of Improvisation in Group Creativity |
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138 | (24) |
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Structural Dimensions of Improvisational Performance |
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140 | (9) |
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Ethnographic Examples of Linguistic Performance |
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149 | (4) |
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Ethnographic Examples of Musical Performance |
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153 | (4) |
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157 | (5) |
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Collective Ideation: Creativity, Teamwork, and Collaboration |
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162 | (28) |
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Implications for Studies of Individual Creativity |
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165 | (11) |
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Group Creativity in Notated Genres |
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176 | (2) |
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Collaboration and Teamwork |
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178 | (9) |
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187 | (3) |
| References |
|
190 | (15) |
| Author Index |
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205 | (6) |
| Subject Index |
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211 | |