Group Creativity: Music, Theater, Collaboration

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Format: Hardcover
Pub. Date: 2003-04-01
Publisher(s): Psychology Pres
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Summary

Group Creativityexplores the unique form of creativity that emerges from collaborating groups. Dr. Sawyer draws on his studies of jazz ensembles and improvisational theater groups to develop a model of creative group processes. He applies this model of group creativity to a wide range of collaborating groups, including group learning in classrooms and innovative teams in organizations. In group creativity, a group comes together to collaboratively create in real time. The creative inspiration emerges from the interaction and communication among the members, and makes the result more than the sum of its parts. The dynamic, moment-to-moment communication among jazz musicians and improvising actors is the primary topic of the book. Sawyer explores performers' close listening and sensitivity, the submerging of the ego to the group mind, and the ways that performers work together to create something better than and different from what one solitary individual could create alone. These explorations provide insight into all forms of group creativity and collaboration.

Table of Contents

Introduction 1(4)
The Characteristics of Group Creativity
4(24)
Improvised Versus Structured Performance
13(1)
Studies of Group Performance
14(7)
Studies of Creativity in Groups
21(4)
Moving Forward: The Study of Group Creativity
25(3)
Jamming in Jazz and Improv Theater
28(46)
Small-Group Jazz
31(2)
Improv Theater
33(4)
The Importance of Group Interaction
37(13)
Structure and Improvisation
50(18)
The Audience as Collaborator
68(4)
Summary
72(2)
Interaction and Emergence: An Interactional Semiotics
74(23)
Improvisation and Composition
79(3)
Indexicality and the Poetic Function
82(4)
A Model of Group Creativity
86(7)
Indexicality in Musical Ensembles
93(2)
Conclusion
95(2)
Group Creativity and the Arts
97(22)
The Philosophy of Art
98(3)
Improvisational Theater
101(1)
Five Characteristics of Improvisation
102(13)
Toward an Aesthetics of Group Creativity
115(4)
Group Creativity as Mediated Action
119(19)
Sociocultural Psychology and Group Creativity
120(2)
Parallels With Diachronic Creative Interaction
122(3)
Parallel Dimensions of Synchronic and Diachronic Creative Interaction
125(8)
Conclusion
133(5)
Degrees of Improvisation in Group Creativity
138(24)
Structural Dimensions of Improvisational Performance
140(9)
Ethnographic Examples of Linguistic Performance
149(4)
Ethnographic Examples of Musical Performance
153(4)
Discussion
157(5)
Collective Ideation: Creativity, Teamwork, and Collaboration
162(28)
Implications for Studies of Individual Creativity
165(11)
Group Creativity in Notated Genres
176(2)
Collaboration and Teamwork
178(9)
Summary
187(3)
References 190(15)
Author Index 205(6)
Subject Index 211

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