The Historical Novel

by
Edition: Reprint
Format: Paperback
Pub. Date: 1983-04-01
Publisher(s): Univ of Nebraska Pr
List Price: $29.95

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Summary

Georg Lukacs (18851971) is now recognized as one of the most innovative and best-informed literary critics of the twentieth century. Trained in the German philosophic tradition of Kant, Hegel, and Marx, he escaped Nazi persecution by fleeing to the Soviet Union in 1933. There he faced a new set of problems: Stalinist dogmatism about literature and literary criticism. Maneuvering between the obstacles of censorship, he wrote and published his longest work of literary criticism,The Historical Novel, in 1937. Beginning with the novels of Sir Walter Scott,The Historical Noveldocuments the evolution of a genre that came to dominate European fiction in the years after Napoleon. The novel had reached a point at which it could be socially and politically critical as well as psychologically insightful. Lukacs devotes his final chapter to the anti-Nazi fiction of Germany and Austria.

Author Biography

Georg Lukács’s works include The Theory of the Novel (1920), The History of Class Consciousness (1923), Studies in European Realism (1948), and The Young Hegel (revised edition, 1954). Fredric Jameson is William A. Lane Professor of Comparative Literature, Director of the Graduate Program in Literature, and Director of the Duke Center for Critical Theory at Duke University. He is the author of many articles and books, including Marxism and Form (1971), The Prison-House of Language (1972), The Political Unconscious (1981), and Postmodernism, or, the Cultural Logic of Late Capitalism (1991).

Table of Contents

Translators' Note 11(2)
Preface to the English Edition 13(4)
Foreword 17(2)
The Classical Form of the Historical Novel
19(70)
Social and Historical Conditions for the Rise of the Historical Novel
19(11)
Sir Walter Scott
30(33)
The Classical Historical Novel in Struggle With Romanticism
63(26)
Historical Novel and Historical Drama
89(82)
Facts of Life Underlying the Division Between Epic and Drama
90(16)
The Peculiarity of Dramatic Characterization
106(22)
The Problem of Public Character
128(10)
The Portrayal of Collision in Epic and Drama
138(14)
A Sketch of the Development of Historicism in Drama and Dramaturgy
152(19)
The Historical Novel and the Crisis of Bourgeois Realism
171(80)
Changes in the Conception of History after the Revolution of 1848
172(11)
Making Private, Modernization and Exoticism
183(23)
The Naturalism of the Plebeian Opposition
206(15)
Conrad Ferdinand Meyer and the New Type of Historical Novel
221(9)
The General Tendencies of Decadence and the Establishment of the Historical Novel as a Special Genre
230(21)
The Historical Novel of Democratic Humanism
251(100)
General Characteristics of the Humanist Literature of Protest in the Imperialist Period
253(29)
Popular Character and the True Spirit of History
282(18)
The Biographical Form and its ``Problematic''
300(22)
The Historical Novel of Romain Rolland
322(10)
Prospects for the Development of the New Humanism in the Historical Novel
332(19)
Index of Names and Authors' Works 351

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