Vaudeville Wars How Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers
by Wertheim, Arthur FrankBuy New
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Summary
Author Biography
Table of Contents
| Origins | |
| From Farm Boy to Museum Owner | |
| Keith's Right-Hand Man | |
| San Francisco's Orpheum | |
| Evolution | |
| The Great Orpheum Circuit | |
| Upstaging Tony Pastor | |
| Gentrifying Keith's Quadruple Circuit | |
| Consolidation and Revolt | |
| Streamlining the Booking Process | |
| The White Rats Strike | |
| Vaudeville Battles | |
| The Combine and the UBO | |
| Morris Challenges the Combine | |
| Vaudevillians vs. The Combine | |
| The Vaudeville Machine | |
| A Host of Grievances | |
| Broadway Sime and the British Lion | |
| Albee Takes Control | |
| How Albee Stole the Palace | |
| Growing Discord | |
| Mountford Strikes Back | |
| The Demise of the Big Time | |
| The Threat of the Big Small Time | |
| "The Toboggan Slide" | |
| Kennedy's Takeover | |
| Epilogue | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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